Antioch, TN 37013
The Professional Work of Dottie West
(Oct. 11, 1932 ~ Sep. 4, 1991)
Career Highlights
Barn Dance Affiliate: Louisiana Hayride
Grand Ole Member -1964
Film, Night Club, Radio & TV
1-Film, 2-Night Club, 3-Radio, 4-TV
Billboard Chart Data
Awards
Country Music Association
Career Labels:
Billboard Top-20 Singles
*-No. 1 Chart Single
#-Biggest Solo Chart Single
3-Kenny Rogers
A-Crossover Chart Single
Duet Partners
-----------------------------------------------------------------------------------------------------------------------------------Country Sunshine: The Dottie West Story
Country Singer Dottie West was one of the most gifted and talented pioneers of modern country music. West was one of a few female country singers, performing in a genre which was then dominated by male singers. Dottie broke ground for female singers like Barbara Mandrell, Dolly Parton and Tammy Wynette. She traded her gingham dresses in for glitz and glamour, changing the face of the modern woman in Country Music.
Dottie West was born on October 11, 1932, McMinnville, Tennessee. She began appearing on local radio at age thirteen and went on to study music at Tennessee Tech. While there, she also sang in a band with steel guitarist, Bill West, whom she later married. After graduation, Dottie moved with her family to Cleveland, Ohio where she began appearing on the television program Landmark Jamboree. West made numerous trips to Nashville in the hopes of landing a recording deal.
In 1959, she move to Nashville and fell in with aspiring songwriters like Willie Nelson, Roger Miller, Hank Cochran, and Harlan Howard. In 1963, Jim Reeves helped Dottie secure a recording contract with RCA Records. Her debut single, Let Me Off at the Corner (No. 29, 1963) was followed by her top-ten duet with Jim Reeves, Love Is No Excuse (No. 7, 1964). Dottie then charted her first solo,
Here Comes My Baby (No. 10, 1964), the self-written song won her a Grammy Award. She subsequently, received an invitation to join the Grand Ole Opry. The song kicked off a series of singles, most of which only charted in the lower-level echelon. However, her national exposure and chart success jelled when she later scored three number one duet singles with Kenny Rogers.
For the remainder of the sixties, Dottie had only two major country hits, Would You Hold It Against Me (No. 5, 1966) and paper mansion (No. 8, 1967). West teamed with Don Gibson and charted Rings of Gold (No. 2, 1969) and then with Jimmy Dean on their version of the Slowly (No. 29, 1971). In 1973 West provided the Coca-Cola Company with a commercial titled, Country Sunshine. The popularity of the commercial prompted RCA to release the jingle as a single, and it became one of Dottie’s biggest hits (No. 2, 1973). Her only other major single during this time was, Last Time I Saw Him (No. 8, 1974).
Four years later, she teamed up with country-pop superstar, Kenny Rogers for a series of duets, which took her career in directions it had never gone before. Dottie garnered number one singles for the very first time. Her duet recordings with Rogers, Every Time Two Fools Collide (No. 1, 1978), Anyone Who Isn’t Me tonight (No. 2, 1978), All I Ever Need Is You (No. 1, 1979), Til I Can Make It on My Own (No. 3, 1979) and What Are We Doin' In Love (No. 1, 1981), threw West in the national spotlight.
Rogers for several years had already been riding a crest of popularity on both the country and pop charts. Dottie’s duet collaboration with Kenny resulted in them being awarded Vocal Duo of the Year by the Country Music Association in 1978 and 1979.
While still at the pinnacle of her popularity, West notched a pair of number one solo singles, A Lesson in Leavin’ (No. 1, 1980) and Are You Happy Baby (No. 1, 1980). However, as the 1980s progressed, Dottie’s popularity began to wane. In 1984, she departed from her twenty year association with RCA. She switched to the independent label Permian, but only a couple of minor recordings resulted from their connection.
Her final single, We Know Better Now, charted in 1985, but failed to break into the top-forty. Dottie continued to tour for the next several years. In 1991, West planned to return to recording, but fate intervened and an automobile accident claimed her life.
In 2000, West was posthumously honored with the BMI Golden Voice Awards with the Female Golden Legacy Award. She was the second woman to win this type of BMI award, the first being her friend and mentor Patsy Cline.
-----------------------------------------------------------------------------------------------------------------------------------The Accident
On August 30, 1991, Dottie West was scheduled to perform at the Grand Ole Opry. Shortly after leaving her Nashville apartment, her car stalled near her home. Her elderly neighbor spotted her on the side of the road and offered to drive her to the Opry. Anxious about getting to the Opry on time, she had urged the man to hurry. He lost control of his vehicle while exiting near the Opry at an excessive speed. The car left the ramp, vaulted in the air and hit the central division.
West did not believe she was injured as badly as her neighbor had been and, reportedly didn't seem harmed by officers who responded to the scene. She insisted he be treated first. West, though she thought she was unharmed, suffered severe internal injuries, including a ruptured spleen and a lacerated liver. Dottie underwent three surgeries, but the final procedure to stop her liver from bleeding failed and West died on the operating table.
-----------------------------------------------------------------------------------------------------------------------------------RCA Recording Sessions With Don Gibson
Nov. 6, 1968
RCA Victor Studio; 806 17 Ave. South, Nashville, Tennessee
Producers: Danny Davis & Chester B. Atkins
Session Personnel: Don Gibson (duet vocal, leader), Dottie West (duet vocal), Chester B. Atkins (guitar), Jerry Reed Hubbard, Thomas Grady Martin (electric guitar), Bill West (steel guitar), Roy Huskey Jr. (bass guitar), Jerry Carrigan (drums), Hargus "Pig" Robbins (piano)
Nov. 7, 1968
RCA Victor Studio; 806 17 Ave. South, Nashville, Tennessee
Producers: Danny Davis & Chester B. Atkins
Session Personnel: Don Gibson (duet vocal, guitar), Dottie West (duet vocal, leader), Chester B. Atkins (guitar), Jerry Reed Hubbard, Thomas Grady Martin (electric guitar), Bill West (steel guitar), Roy Huskey Jr. (bass guitar), Jerry Carrigan (drums), Hargus "Pig" Robbins (piano)
Nov. 8, 1968
RCA Victor Studio; 806 17 Ave. South, Nashville, Tennessee
Producers: Danny Davis & Chester B. Atkins
Session Personnel: Don Gibson (vocal, guitar, leader), Dottie West (duet vocal), Ray Edenton, Pete Wade (rhythm guitar), Thomas Grady Martin (electric guitar, vibes), Bill West (steel guitar), Roy Huskey Jr. (bass guitar), Jerry Carrigan (drums), Hargus "Pig" Robbins (piano)
Oct. 9, 1969
RCA Victor Studio; 806 17 Ave. South, Nashville, Tennessee
Producers: Danny Davis
Session Personnel: Don Gibson (vocal, leader), Dottie West (duet vocal), Jerry Shook, Pete Wade, James Wilkerson (electric guitar),Bill West (steel guitar),Norbert Putnam(bass guitar), Kenneth Buttrey (drums), Larry Butler (piano), Joseph Babcock, Dolores Edgin, June Page, Hurshel Wiginton (vocal chorus)
---------------------------------------------------------------------------------------------------------Researched, compiled and written by Richard Bell, Roots of Country Music, Jun. 7, 2009.
©2009-2012 ROOTS of Country Music. All rights reserved. Web Hosting by Yahoo!
Antioch, TN 37013