Antioch, TN 37013
The Professional Work of Hank Williams

(Sep. 17, 1923 ~ Jan. 1, 1953)
Career Highlights
Barn Dance Affiliates
Grand Ole Opry Member (1949-1952)
Stage Names
Band Name
Film, Night Club, Radio & TV
1-Film, 2-Night Club, 3-Radio, 4-TV
Billboard Chart Data
Awards
Country Music Association
Country Music Hall of Fame 1961
Rock and Roll Hall of Fame (1987)
Career Labels:
Billboard Top-10 Singles
*-No. 1 Chart Single
#-Biggest Career Chart Single
+-2nd Biggest Chart Single in Country Music -1949
$-2nd Biggest Chart Single in Country Music -1952
>-Biggest Chart Single in Country Music -1953
@-Gold Single
Lovesick Blues: The Hank Williams Story
Listen to Lovesick Blues
Hank Williams was a singer-songwriter and musician regarded as among the greatest country music (honky-tonk) stars of all time. More than sixty years after his death, Williams ranks among the most powerfully iconic figures in American music. Iconic to the point that man and myth are inextricably entwined.
Hank set the agenda for contemporary country song craft and sang his songs with such believability that we feel privy to his world, despite the fact that he left no in-depth interviews and just a few letters. His brief life and tragic death have only compounded his appeal.
The original Drifting Cowboys band (during Hank’s heyday 1947 – 1952) was made up of Jerry Rivers (fiddle), Don Helms (steel guitar), Hillous Butram (bass guitar) and Bob McNett (guitar), whose work will be forever associated with their "front-man," the legendary Hank Williams.

Hank Williams recorded 35 singles (five released posthumously) that would place in the top-10 of the Billboard Country & Western Best Sellers chart, including 11 that ranked number one.
Pictured left Williams performing the Mother's Best Radio Show
Hank Williams was born in Mount Olive, Alabama (AL). Hank Williams moved to Georgiana, AL where he met Rufus Payne, a black street performer who gave Williams guitar lessons in exchange for meals. Payne had a major influence on Williams' later musical style.
After moving to Montgomery, AL, Williams began his career in 1937 when WSFA radio station producers hired him to perform and host a 15-minute program. Williams formed as backup the Drifting Cowboys band, which was managed by his mother. Then he ropped out of school to devote all of his time to his career.
In September 1946, Williams auditioned for the Grand Ole Opry but was rejected. After the failure of his audition, Hank and Audrey Sheppard traveled to Nashville, Tennessee (TN) to visit the recently formed label Acuff-Rose. Williams and his wife (Audrey Sheppard ) approached Fred Rose, the president of the company, during one of his habitual ping-pong games at WSM radio studios. Audrey asked Rose if her husband could sing a song for him on that moment, Rose agreed and he was interested in Williams' style.
Hank Williams signed a contract for six songs with Fred Rose, who then used those songs to sign Williams with Sterling Records. On December 11, 1946, in his first recording session, Williams recorded Wealth Won't Save Your Soul, Calling You, Never Again and When God Comes and Gathers His Jewels. The recordings Never Again and Honky Tonkin' became successful and caught the attention of MGM Records.
His first MGM single, Move It On Over had an immediate impact in the charts. The second single Honky Tonkin’ was also a success. In the summer of 1948 Williams was added to the roster of musicians on the prestigious country radio show the Louisiana Hayride.
Hank Williams' version of the song Lovesick Blues placed him at the top of the charts for four months in 1949, earning him his first appearance at the Grand Ole Opry in June of that year. Two more hit songs (Wedding Bells and Mind Your Own Business) followed in quick succession, prompting the Opry to overlook Williams' excessive drinking and add him to the regular cast.

Between 1949 and 1951 Williams continued to churn out hit songs: I'm So Lonesome I Could Cry and its flipside My Bucket's Got A Hole In It (No. 2, 1949), Lovesick Blues (No. 1, 1949), Long Gone Lonesome Blues (No. 1, 1950), Why Don't You Love Me (No. 1, 1950), Moanin' the Blues (No. 1, 1950), Howlin' at the Moon (No. 3, 1951) and Hey, Good Lookin' (No. 1, 1951).
Pictured right, Hank Williams playing Lefty Frizell's guitar. Velma Williams Smith playing rhythm guitar
The peak of his success arrived with the release of Cold, Cold Heart (1951), a song that was originally just the B-side to the top-10 single, Dear John, but then took on a life of its own. The song gave Williams his longest stay at the top of the country charts, while its already considerable popularity was given an added boost later in the year through a pop version recorded by Tony Bennett. In the 1960s it was covered by Ray Price.
Bennett's version also reached No. 1, as well as providing its author with the most significant mainstream exposure he had received up to that point. Williams' career continued at full steam into 1952 with another series of top ten singles: Jambalaya (No. 1, 1952), Half As Much (No. 2, 1952), You Win Again (No. 10, 1952), Settin' the Woods on Fire (No. 2, 1952) and I'll Never Get Out of This World Alive (No. 1, 1952)
In late December 1952, Williams returned to Montgomery, AL, attempting to recuperate, but decided to meet two prearranged show dates on New Year’s Eve and New Year’s Day. He died en route, (Oak Hill, West Virginia ) from heart failure, aged just twenty-nine. Contrary to myth, Williams did not die with his star in the ascendant. Jambalaya had been one of the best-selling records of 1952, but while his records were topping the charts, he was so unreliable that he was reduced to playing beer halls in Texas and Louisiana.
There’s a persistent myth that he would have returned to the Opry had he not died on New Year’s Day 1953, but surviving correspondence suggests nothing more than a few more beer hall gigs. On a record released after his death, Williams sang of being pursued by the Pale Horse and His Rider.
On a home recording made shortly before his death, he directly addressed The Angel of Death. It’s impossible to escape the feeling that he lived with the spirits every day and drank in part to escape them. Williams was inducted into the Country Music Hall of Fame in 1961.
Hank Williams
The Drifting Cowboy

Hank Williams set the agenda for contemporary country song craft and sang his songs with such believability that we feel privy to his world, despite the fact that he left no in-depth interviews and just a few letters. His brief life and tragic death have only compounded his appeal.
Williams, Hank Singles catalogue (1947 ~ 1989)
The Health & Happiness Shows
The Health and Happiness Shows was Hank Williams' first radio series. Eight fifteen minute shows were recorded on two Sundays in October of 1949. The idea of the show came from an advertising manager, Mack Hedrick, at WSM Radio, Nashville, Tennessee. The sponsor of the shows was Dudley LeBlanc, a populist Louisiana politician and inventor of Hadacol, a foul tasting patent medicine hearlded by LeBlanc himself as a service appreciated by suffering humanity and one of the true great medical discoveries. A deal was made with the makers of Hadacol to sponsor Williams' syndicated radio series.
The Health & Happinesss Shows were recorded in 1949, when Williams' career was just taking off. Throughout the shows, Williams sounds energetic and vibrant, even during his between-song stage patter which is nearly fascinating as the music. This is how Williams won over his fans.
Backing Williams on The Health & Happiness Shows was the Drifting Cowboys Band which included Jerry Rivers (fiddle), Bob McNett (guitar), Hillous Butrum (bass guitar) and Don Helms (steel guitar). Williams' wife Audrey was present and attempted to sing a couple of songs. Grant Turner was the announcer.
Mother's Best Radio Shows

(L-R) Howard Watts, WSM announcer “Cousin” Louie Buck, Sammy Pruett, Hank Williams, Jerry Rivers, and Don Helms. WSM Studio, 1950
Perhaps the most well known and most sought after collection in the Hank Williams catalouge are the Mother's Best Radio Shows. This collection of radio programs is considered by many to be Hank Williams' best work and were done at the peak of his career in 1951.
The programs were broadcast live between 7:15 and 7:30 a.m. on WSM out of Nashville, Tennessee. Some of the shows were pre-recorded to be played on the air when Hank was out on the road. Th programs usually consisted of one country song, one instrumental and a gospel song to close the show.
Williams performs with the ease of a seasoned performer rummaging around for something to entertain the folks, enticing them to stay tuned through the commercials and to come out to his live performances.

Although recorded for later broadcast on WSM, these performances have the informality and spontaneity of live radio programs. Williams' asides are clearly unscripted and unrehearsed and at only twenty-seven (and just a couple of years from his untimely death), he married the fire of youth with the poise of artists decades his senior.
The music is an obvious goldmine, but the continuity - the commercials, ad lib asides and joshing with those in the studio - draws a distinct picture of, to quote Hank Jr. "a young man on top of his world."
The Mother's Best Shows capture Williams' personality better than anything else known to exist and they don't paint the picture of a sad, lonesome, forlorn man hell bent on drinking and death as many books and other publications try to portray him as. In fact, it is probably the in-between song chatter that makes these recordings so great, you get a glimpse of what Hank Williams was like as a person.
The following is a listing of all 72 Mother's Best Radio Shows from 1951:
1-A1
The Blind Child
Blue Steel Blues
When God Dips His Love In My Heart
1-A2
Where The Old Red River Flows
Moonlight Waters
How Can You Refuse Him Now
1- B1
Moanin' The Blues
Honky Tonkin' ( Audrey)
I'll Have A New Body
1-B2
Alabama Waltz
Fire On The Mountain
Lord Build Me A Cabin
2-1A
Nowbody's Lonesome For Me
Twin Guitar Polka
Gathering Flowers For The Masters' Bouquet
2-A2
Mansion On The Hill
I Like That Kind (Audrey)
How Can You Refuse Him Now (Audrey)
2-B1
Everything's OK
Why Should I Cry(Audrey)
I Heard My MotherPrayin'For Me
2-B2
Nobody's Lonesome For Me
Tight Wad Daddy (Audrey)
I'll Have A New Body
3-A1
Move It On Over
I'm Satisfied With Life (Audrey)
I Saw The Light
3-A2
Seaman's Blues
Blues In My Mind (Audrey)
Something Got A Hold Of Me
3-B1
Blue Eyes Cryin' In The Rain
Bonaparte's Retreat
I'Ve Just Told Mama Goodbye
3-B2
On The Banks Of The Old Ponchartrain
Blue Love (Audrey)
Calling You
4-A1
My Sweet Love Ain't Around
Model T Love (Audrey)
Where The Soul Never Dies
4-A2
Pins And Needles
Four Flusher (Audrey)
I Heard My Mother Prayin' For Me
4-B1
Mind Your Own Buisness
I Like That Kind (Audrey)
When God Dips His Love
4-B2
May You Never Be Alone Like Me
My Love For You (Audrey)
Dear Brother
5-A1
They'll Never Take Her Love From Me
Last Night I heard You Cryin' In Your Sleep ( Audrey)
Wait For The Light To Shine
Whistlin' Rufus
5-A2
Cool Water
Orange Blossom Special
Lonely Tombs
5-B1
I Just Don't Like This Kind Of Livin'
You Don't Have To Be a Baby To Cry( Audrey)
Jesus Remembered Me
5-B2
Cold Cold Heart
Honky Tonkin' (Audrey)
Sally Goodin' (Hank and Louie Buck Call A Square dance)
6-A1
Dear John
I'm Satified With Life (Audrey)
Somethin Got Ahold Of Me
6-A2
At The First Fall Of Snow
I Like That Kind (Audrey)
When God Dips His Love In My Heart
6-B1
Wedding Bells
Tight Wad Daddy (Audrey)
Where The Soul Of Man Never Dies
6-B2
Why Don't You Love
Blue Love In My Heart (Audrey)
Dear Brother
7-A1
Faded Love And Winter Roses
Fire On The Mountain
I Heard My Saviour Call
7-A2
Just When I Needed You
I Can't Tell My Heart That (Johnnie and Jack )
Farther Along
7- B1
Move It On Over
Darktown Strutter's Ball
Thy Burdens Are Greater Than Mine
7-B2
Ther.s Nothin' As Sweet As My Baby
Turkey In The Straw
Wait For The Light To Shine
8-A1
I Can't Help It
Panhandle Rag
Gathering Flowers For The Masters' Bouquet
Bill Cheatam
8-A2
Where The Old Red River Flows
Blue Steel Blues
Thirty Pieces Of Silver
8-B1
On Top Of Old Smokey
Columbus Stockade Blues
Prodigal Son
8-B2
May You Never Be Alone Like Me
Arkansas Traveler
I'll Have A New Body
9- A1
Next Sunday Is My Birthday
Old Joe Clark
Deck Of Cards
9-A2
Tennessee Border
Blue Bonnet Rag
Dear Brother
Whistlin' Rufus
9-B1
Pictures From Lifes' Other Side
Sally Goodin'
Sing, Sing, Sing
9-B2
Just Waitin'
Paradise Island
When The Fire Comes Down From Heaven
10-A1
My Sweet Love Ain't Around
I Can't Tell My Heart That (Jimmie Skinner)
Where The Soul Of Man Never Dies
10-A2
I Can't Help It
Panhandle Rag
Drifting Too Far From The Shore
10-B1
Just When I Needed You
Steel Guitar Stomp
I'll Fly Away
10-B2
Cold Cold Heart
Dance All Night, Give The Fiddler A Dram
Old Country Church
11-A1
Moanin' The Blues
Blue Steel Blus
I Dreamed About Mama Last Night
11-A2
I Hang My Head and Cry
Tennessee Wagoner
At The Cross
11-B1
I Dreamed About Mama Last Night
Black Mountain Rag
I Heard My Saviour Call
11-B2
Low and Lonely
Foolish Questions (Big Bill Lister)
The Funeral
12-A1
Where The Old Red River Flows
Orange Blossom Special
Where He Leads Me I Will Follow
12-A2
If I Didn't Love You
Panhandle Rag
Wait For The Light To Shine
12-B1
I Just Don't like This Kind Of LIvin'
Tennessee Wagoner
Pale Horse and His Rider
12-B2
Hey Good Lookin'
Alabama Jubilee
Searching For A Soldiers' Grave
13-A1
I've Been Down That Road Before
Little Annie
I've Got a One Way Ticket To The Sky
13-A2
California Zephyr
Down Yonder
Softly and Tenderly
13-B1
Lonesome Whistle
Roadside Rag
I'm Bound For The Promised Land
13-B2
I Can't Tell My Heart That
Georgia Steel Guitar
Take My Hand Precious Lord
14-A1
Just Waitin'
Eighth Of January
From Jerusalem To Jericho
14-A2
Cherokee Boogie
Columbus Stockade Blues
A Beautiful Home
14-B1
Lonesome Whistle
I Don't Love Nobody
Great Judgement Morning
14-B2
I'll Sail My Ship Alone
Little Annie
I'll Have A New Body
15- A1
Dear John
Roadside Rag
I'll Fly Away
Bonapartes' Retreat
15-A2
Cold Cold Heart
Fire On The Mountain
Farther Along
15-A1
Stars In Her Eyes
(PSA For Veneral Disease Hank Sings and Tells The Story Radio Drama )
16- A1
Quaker Oats Audition Show
Why Don't You Love Me
San Antonio Rose (Owen Bradley Quartet)
HONEY Be MY Honey BEE (Beasley Smith)
Cold Cold Heart
Additional Shows By Date
Feb 12, 1951
Move It On Over
Waltz Of The Wind (Audrey)
I'll Have A New Body
Feb. 13, 1951
Faded Love and Winter Roses
Four Flusher (Audrey)
I Saw The Light
Feb. 21, 1951
Why Should We Try Any more
Low and Lonely (Audrey)
Jesus Died For Me
Feb. 22, 1951
Long Gone Lonesome Blues
Last Night I Heard You Cryin' In Your Sleep (Audrey)
Lonely Tombs
Turkey In The Straw
Feb. 23, 1951
Dear John
If you Want Some Lovin' (Audrey)
I Heard My Mother Prayin' For Me
Additional Shows By Numbers
#146
Mind Your Own Business
Old Joe Clark
I Dreamed About Mama Last Night
#147
I'm So Lonesome I Could Cry
Corinna, Corrinna
I Heard My Saviour Callin'
#150
My Sweet Love Ain't Around
Fire On The Mountain
I Saw Thge Light
#151
You Blotted My Happy School Days
Orange Blossom Special
Dust On The Bible
#156
Have I Told You Lately That I Love You
Sally Goodin'
When The Saints Go Marchin' In
#157
Hey Good Lookin'
Silver Bells
I'm Gonna Sing, Sing, Sing
Turkey in the Straw
#158
I Can't Help It
Stay All Night Stay a Lil' Longer
Lonely Tombs
Researched, compiled and written by Richard Bell, Roots of Country Music. Oct. 4, 2011.
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Antioch, TN 37013